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Archive for the ‘Feri’ Category

During a recent conversation I said that the Anderson Faery/Feri lineage of witchcraft is helpful for trauma survivors  because it is an embodied lineage with a focus on ecstatic experience – all things that steer us out of over intellectualizing and into body awareness – but only insofar as we work to heal our trauma, else it will retraumatize us.  I’ve been pondering that statement ever since, because while I feel it to be true I have never upacked it.  I’m going to try and do that a bit here.

What is trauma, and what does it mean to be retraumatized?  We often think of trauma as tied to emotional, physical or sexual abuse, war, or natural disasters, but there are a whole range of life experiences that can be traumatizing, like surgery, the loss of a loved one, etc.  Trauma happens when our nervous system is overwhelmed and our coping strategies don’t work.  If the trauma is not processed or if we aren’t able to fight, flee, or in some way manage what is “attacking” us, then we freeze in a way that the unprocessed fear gets locked into our body.

A way some of us deal with the trauma locked in our body is by dissociating –  we try to get away from our body, and thus the traumatic situation — but other expressions of trauma are anxiety, depression, sleeplessness, avoidant behaviors, and addiction.  These expressions of trauma are almost always enveloped by  a sense of shame.  Something happens, we get traumatized and we cope the best we can, then hate ourselves for it because it doesn’t look or feel good.  It’s the shame that binds the entire process together.

Effects of early trauma are a laundry list:  a disrupted sense of self in relation to others, emotional instability, social dysfunction, difficulty recovering from stress, disorganized thinking, a limited window of tolerance, a limited capacity for relationships, poor impulse control, low self-worth, core shame, inability to recognize one’s own needs, a sense of isolation…. Oh, so much!  And oh so many of the very reasons we seek out spirituality, even witchcraft; we are searching for healing.

If that search leads a person to the Anderson Faery/Feri lineage of witchcraft before therapeutic work with a qualified therapist has been done to address past trauma the very tools of the tradition could be dangerously retraumatizing.  In this lineage we are asked to be present in our bodies, to be fully present for Sex, Self, Passion, Pride and Power.  Meditators are now realizing that mindfulness meditation is retraumatizing for the same reason; in mindfulness practice we are asked to be present with the feelings and sensations of the body.  If we have unprocessed trauma fear locked in our body, our own breath and body awareness can be jarring, flooding us and popping us right out of the body.  We feel the trauma all over again and dissociate.  In fact, we will happily watch our body sit and breathe on the cushion – we are well used to dissociating –  thinking we are engaged with the practice, when in actuality we are not experiencing embodiment at all.

Retraumatization is a conscious or unconscious reminder of past trauma that results in re-experiencing of the initial trauma itself.   It can be triggered by a situation, an attitude or expression, or by certain environments that replicate the dynamics (loss of power/control/safety) of the original trauma. – by Patricia Shelly, MSW, Shelley Hitzel, MSW, and Karen Zgoda, MSW, LCSW, Preventing Retraumatization: A Macro Social Work Approach to Trauma-Informed Practices & Policies

For those of us who dissociate, clearing the mind and entering stillness is a familiar state of numbness.  It can be a blissful state, and hard to distinguish from altered states of consciousness.  Yet, it is not the mindfulness taught in yoga, and it is not the embodiment required to engage Faery witchcraft safely.  Embodiment is the beginning and foundation for more advanced practices in Faery.

Dissociation vs presence?
Table
Meditation instructors and health care professionals who work with trauma survivors are taught to use trauma informed practices which focus on a sense of safety and stabilization (it is not in most of our scope of practice to offer trauma-specific work that focuses on processing trauma).  One thing Faery witchcraft is not is safe, and its tools are notoriously destabilizing.  Some do survive the crash course of a Faery induced healing crisis, others do not.  With so many qualified therapists who specialize in integrating trauma, and so many excellent protocols, like EMDR, there is no reason to risk a student, or risk ourselves.

If you are drawn to Faery, but come from a trauma background, seek out a skilled EMDR therapist first.  Give yourself a year of calming the central nervous system and finding safety within your body.  You will be grateful you did.

*I am not a professional therapist.  My insights come from my own experience and what I have found effective. 

incantation

Incantation; Francisco Goya

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the Urban Hedge

Living in Ireland is one thing, living in an American city quite another.  I find city magic different from the magic of the countryside.  I also find central Texas magic different from southern Irish magic.  This is common sense really, as there are different partners in the work.

The energy of the American city  I live within is one of motion, and literal energy generation.  Perhaps it is more like a stellar nursery, or star-forming region: a dense area of exotic cosmic brew.

I don’t work with the entire city.  I build relationship with the area I can –and regularly do– walk the bounds of.  Boundary walking, and tending, is the age-old habit of the witch.  It’s where we draw our power.  During the liminal times of day, it is easy to find the urban Hedge.  Within my own bounds, those are odd crossroads, where odd numbers of pathways or streets intersect.  Also, the alleyways.

In any Hedge crossing endeavor, caution is needed.  Persons of dubious nature are attracted to liminal spaces, and times.  Do not trust every Person you meet, corporeal or not!  Victor H. Anderson cautioned his students to make such journeys with their Lights on.  That is, have a strong and direct relationship with your own Godsoul, the ancestral spirit directly connected to you.

Also, test the spirits.

Just because some non-material dude chats you up, doesn’t mean you should give him your number.

During urban hedge crossing, I do not sit and trance.  I walk.  This is a skill I developed working with the Reclaiming Pagan Cluster, and learning to use my magic during direct action protest.  I also carry a protective talisman in my pocket, or on my person.  I set an intention, whether that be exploratory or specific.  These forays are not for entertainment.  They are for the purpose of accomplishing my will, and my work.

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The danger in possession is if you let alien beings in to use you — and there are plenty out there that will. They’ll split your personality. They’ll touch certain parts of your personality that you don’t even know you have. And then, you won’t be able to consciously remember when one takes over or when one doesn’t, even though it’s all you. That’s the danger of possession. Another danger is that they can come in with cruel and terrible ideas and infect you with them. Because when someone knocks at your door, and I’m not just speaking about spirits, don’t let them in unless you know who they are. You turn on the light first and that light is right above your head. — Victor Anderson, The Heart of the Initiate: Feri Lessons

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Boston Bloodrose Faery (Feri)

blackgoddess

Quakoralina, the Star Goddess

A lovely black woman is waiting, waiting
In the boundless night.
A river of blackbirds are mating, mating,
In the dim starlight.

Down out of the sky they come winging, winging,
Drawn to Her black flame,
And the melody they are singing, singing,
Is Her holy name.

In the dust of Her feet are the hosts of heaven,
And Her star-sequined hair
Is crowned with a coven of six and seven
Blue suns burning there.

—Victor Anderson

The expression God Herself could be called a Faery koan.  Victor once wrote in a letter that Lilith was honored by the Harpy Coven, to which he belonged in his early life, not as “the Goddess,” but as God Herself.   This is an important distinction.  In a letter to Anaar published in the book, The Heart of the Initiate, Victor clarified:

When we say “Goddess” in my tradition…

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Red Rite

Of all the strange and terrible powers among which we move unknowingly, sex is the most potent. Conceived in the orgasm of birth, we burst forth in agony and ecstasy from the Center of Creation. Time and again we return to that fountain, lose ourselves in the fires of being, unite for a moment with the eternal force and return renewed and refreshed as from a miraculous sacrament. Then, at the last, our life closes in the orgasm of death. Sex, typified as love, is at the heart of every mystery, at the center of every secret. It is this splendid and subtle serpent that twines about the cross and coils in the heart of the mystic rose. -Jack Parsons

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I  am an initiate and abiding student of the Faery Tradition of witchcraft (also known as Feri), which was passed through Victor and Cora Anderson.  This tradition is a beautiful, and uniquely American, order of Old Craft.  There are many things I feel and believe about my practice of Faery witchcraft, and I do not speak much publicly about those.  However, I want to express a few things I feel are important, and make them available publicly in the event they prove helpful to someone seeking out this tradition.

1.  There is no ‘one’ way of practicing Faery.  There really aren’t any agreed upon ‘core’ beliefs or practices within the tradition.  The only fundamental and congruous element is the unique Faery Current.  However, having said that, each initiate has a very specific way of working and practicing, and anyone studying with an initiate will first learn their way of practice, just like the old apprentice model.

2.  The majority of Faery initiates teach for free, in a rather old school ‘in-person’ way, or at least more one-on-one. There are a handful of very public initiates who teach according to a large classroom model, some of whom teach via the internet and charge a fee. [Edit: There are, within the handful of more public initiates, those who teach fewer students, using various methods, and charge a fee.]  But most initiates within the tradition are more private, and take students as they meet them, or not at all.

3.  Since the fundamental thread of the tradition is built around a living current, in-person contact with an initiate is paramount.  My one and only advice to anyone interested in this tradition of witchcraft is to ASK, ask, ASK if an initiate lives anywhere near you and contact them directly, or indirectly (through an initiate willing to make introductions) if they are private.

4.  There are now Feri initiates located all over the world.  If you have heard of this wild, queer, androgynous, non-degree system of witchcraft, and are drawn to it, I suggest you ASK, ask, ASK until you find an initiate close enough to your location to visit in person, and contact them. [Edit: Since the majority of initiates are private, you won’t be able to find them doing a google search.  You will need to ask around.  You can even email a more public initiate and ask them to introduce you to an initiate living closer to your area.  We initiates have ways of contacting each other.]

Luminous : Æ

Luminous : Æ

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help, protect, and defend thy Brothers and Sisters of the Art

There is an ancient story that in days long ago Wytches met in secret.  That to come among them, you swore a fearsome Oath.  Your measure was taken, with cord Hallow and Mighty, upon your promise to “keep Secret” and “Protect” the Art and those who practiced it.

A dread Oath to swear.  For, if the oath be broken by a Witch, his or her cord was buried with curses, so that as it rotted the traitor would too.

How many of you have mused on that time, and imagined yourself called to betray the names of your coven or your neighbors?  Would you…under torture, speak their names?

Bessie Dunloptumblr_m5gzspxhAN1qatqtto1_400

Elizabeth Knap

Marigje Arriens

Johann Albrecht Adelgrief

Goodwife Bassett

Giovanna Bonanno

George Burroughs

Lasses Birgitta

Michée Chauderon

Nyzette Cheveron

Elizabeth Clarke

Helena Curtens

Jean Delvaux

Catherine Deshayes

Thomas Doughty

Anna Eriksdotter

Ann Glover

…..

Perhaps we understand, all too well, what heinous physical cruelty these healers, midwives, cunning folk, and mystics endured.

                       Perhaps we hold mercy for those who screamed the names of others.

But in our day and age?

What is our modern equivalent?

A subpoena?

Would you “out” your brothers and sisters if a court demanded it?

What of MONEY?

Would you make known the secrets of the Art for payment?

What of prestige?

“I am High Muckety Muck Raven Claw” …. “I was told by the Goddess Spank Me that THIS is the only correct way”

I am a Witch heart-broken, enraged, and determined.  Someone has revealed.  Someone has made known.  Someone has not protected her brothers and sisters of the Art.

What would you do?

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Out of the West

North West, the storm doth brew

its Power is turned  for you to fuel

Rush out you Witch and face the hour

with your intent, to weave your bower

 

A winter storm rushes toward us.  I stand in the bracing wind to watch the clouds.  In the growing dark of a February night, I draw the shapes toward me.  

Tuathal round the stone I tread–opening the way for all I dread.

Come Wind, Come Storm, Come Mighty Power.

I  call you here upon the hour.

This Witch’s Will I do command–a blessing for the hearth and land.

What from my womb has walked the earth. I weave a spell of love and mirth.

Shining thread, that from my hand, doth weave and weft my own Fate’s strand

You Watchers, You Makers, You Guardians Three

the fox, the badger, the worker BEE

Out from my mouth a breath I FORCE

be Blessed, be SAFE, on your life’s course

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In my window seat, perched above the valley, I see scattered farm lights. I sit here in the dark, window open. A stillness so deep, there is only a whisper in the bare limbs of the trees. Barking. A farm dog scent of fox.

The Dark.

Porch light casts a yellow glow, making beautiful shadow forms poised in contemplative silence. My heart races out beyond the confines of my skin. Consciousness swirls kaleidoscope in awareness of that larger Mind which is unfathomably deep.

Do I dance?
do I Sing?

This holy moment is a breath for me to fill my lungs with. A black mouth of time for me to kiss, because there is no separation–only longing. How can I Be other than weep for the delight and ecstasy of it.

Where are You?
what is outside your window?

I dare you-in this moment….

open
listen
close your eyes and hear

tell me what is there, in your place

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Current 93 feat….

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